From Sketch to Table
The line begins with Erik Magnussen's study of proportion. In EM, the handle, transition and functional form are resolved as one continuous object.
The line begins with Erik Magnussen's study of proportion. In EM, the handle, transition and functional form are resolved as one continuous object.
EM has a sleek, minimalist profile with a slight concave curve running through the handle. The satin-polished surface supports the series' quiet, architectural expression.
When designing for the table, the focus is balance, restraint and the feeling of holding something that already belongs in your hand.
Erik Magnussen
The EM salad servers take Erik Magnussen’s restrained design language into the shared part of the meal. Instead of belonging to one guest, the two pieces move between people, extending the collection’s clean, tactile character from individual dining into the act of serving.
Because larger utensils give form more room to speak. The relationship between handle, curve and functional end becomes easier to read, showing how Magnussen could create character through proportion and subtle shaping rather than through ornament.
Erik Magnussen was trained as a ceramicist, and his work consistently showed an interest in material, tactile experience and everyday function. In serving utensils, that sensibility becomes especially relevant: the objects must not only look resolved, but feel natural when lifting, turning and sharing food.
Because serving changes the relationship between object and guest. A dinner fork is personal; a serving spoon and fork are communal. They move through the centre of the table and between hands, making the design part of the gesture of offering food to someone else.
When a restrained object helps people share something. The EM salad servers carry Magnussen’s functional minimalism into one of the most communal moments at the table, showing that simplicity can shape not only how an object looks, but how a meal moves between people.