01 THE STORY

From Sketch to Table

The line begins with Erik Magnussen's study of proportion. In EM, the handle, transition and functional form are resolved as one continuous object.

Cutlery sketches in an atelier notebook
02 THE DETAILS

The Details

EM has a sleek, minimalist profile with a slight concave curve running through the handle. The satin-polished surface supports the series' quiet, architectural expression.

Stelton EM Dessert Spoons — 12 Pieces - stelton catalogue image 1
The taper.
Stelton EM Dessert Spoons — 12 Pieces
The balance point.
Stelton EM Dessert Spoons — 12 Pieces
The finish.
03 DESIGNER NOTE

A note from Erik Magnussen

When designing for the table, the focus is balance, restraint and the feeling of holding something that already belongs in your hand.

Erik Magnussen

Erik Magnussen
Erik Magnussen Designer
Product guide

Questions about Stelton EM Dessert Spoons — 12 Pieces

What happens to EM’s concave line when the spoon becomes smaller?

The dessert spoon carries the same subtle concave curve that gives Erik Magnussen’s EM cutlery its distinctive character. At a smaller scale, the restrained shaping becomes more concentrated, showing how one quiet design gesture can remain recognisable across different functions.

Why might the dessert spoon be one of the most tactile pieces in the EM collection?

Dessert brings the object closer to the hand and slows the rhythm of the meal. EM’s satin-polished surface and gently concave form become especially noticeable when the spoon is held repeatedly during a quieter, more intimate course.

What does a ceramicist bring to the design of a spoon?

Erik Magnussen was trained as a ceramicist, and his work was deeply concerned with material, form and the physical experience of everyday objects. EM reflects that sensibility: instead of relying on ornament, the spoon gains character through contour, surface and the way it feels in use.

Why does satin-polished steel make sense for dessert?

The satin finish softens reflections rather than amplifying them. As the table becomes less crowded after the main course, that subdued surface allows the shape of the spoon to become more visible and gives the final part of the meal a calm, understated character.

When does a dessert spoon become part of a larger design philosophy?

When the smallest utensil follows the same principles as the rest of the collection. Erik Magnussen created EM around clarity, functionality and subtle tactile character. The dessert spoon carries those ideas into one of the most intimate moments of the meal, showing that thoughtful design does not become less important when the object becomes smaller.