From Sketch to Table
The line begins with Tias Eckhoff's study of proportion. In Chaco, the handle, transition and functional form are resolved as one continuous object.
The line begins with Tias Eckhoff's study of proportion. In Chaco, the handle, transition and functional form are resolved as one continuous object.
Chaco is shaped through a balance between slim, stringent lines and soft, precise curves. The restrained profile gives the pieces a light and carefully controlled expression.
Tias Eckhoffs relationship with cutlery became especially important in 1962, when he designed Maya for Norstaal. The broad handle narrows into a triangular form, while rounded edges give the pieces a strong but comfortable grip. The design became one of the defining Scandinavian cutlery patterns of the twentieth century, later entering Phaidon Design Classics and museum collections including MoMA in New York and the Victoria and Albert Museum in London. Eckhoff continued to explore the table through collections including Una, Chaco and Maya 2000, each revisiting proportion, balance and the relationship between strict geometry and softer curves. His work rarely depended on ornament. Character emerged instead from the way an object was refined — slowly, physically and with extraordinary attention to the smallest shifts in form.
“I work slowly, I would like to file on a piece of cutlery for a year.” — Tias Eckhoff
Tias Eckhoff
Each Stelton Chaco dessert fork measures 18 cm according to Stelton’s product specifications. It is therefore 2 cm shorter than the 20 cm Chaco dinner fork, giving the same design language a more compact and intimate scale for dessert.
The defining contrast remains intact. Tias Eckhoff’s slender, stringent lines still meet soft, precise curves, but the shorter proportions concentrate the design into a smaller utensil. The dessert fork shows how strongly Chaco’s identity depends on proportion rather than size alone.
Because a smaller utensil makes subtle design decisions easier to notice. The transition between the slim handle and the softly shaped functional end becomes especially clear, revealing the careful balance that gives Chaco its restrained character.
Chaco was designed by Tias Eckhoff, whom Stelton describes as a pioneer of Scandinavian industrial design. His approach combined functional clarity with carefully controlled form, and Chaco expresses that thinking through a particularly balanced relationship between straight and curved lines.
Because every proportion has to carry more of the identity. Chaco does not use decorative motifs to distinguish one piece from another; instead, the family resemblance is maintained through line, curve and balance. The dessert fork demonstrates how the design can change function and scale while remaining unmistakably Chaco.