01 The story

From Sketch to Table

Taormina is decorated with a sequence of geometric ornaments inspired by Byzantine and Sicilian art. The rhythmic pattern gives the collection a rich cultural reference while keeping the overall shape controlled.

From Sketch to Table
02 The details

The Details

18/10 stainless steel. Monobloc / solid-handle table knives. The carefully finished stainless steel brings clarity to the collection’s lines, proportions and decorative details, creating a refined play of light across the table.

Sambonet Taormina Cutlery Set — 24 Pieces - sambonet catalogue image 1
The taper.
Sambonet Taormina Cutlery Set — 24 Pieces
The balance point.
Sambonet Taormina Cutlery Set — 24 Pieces
The finish.
03 The maker

Sambonet

When designing for the table, the focus is balance, restraint and the feeling of holding something that already belongs in your hand.

 at the table
Designer
Product guide

Questions about Sambonet Taormina Cutlery Set — 24 Pieces

What happens when Byzantine geometry is repeated around six place settings?

The 24-piece Taormina set turns Sambonet’s geometric ornament into a rhythm across the table. Knife, fork, spoon and tea spoon repeat the same decorative language from guest to guest, allowing the pattern to feel architectural rather than merely ornamental.

Why does Taormina feel Sicilian without using obvious Mediterranean symbols?

Because the collection looks deeper than surface imagery. Sambonet draws on the geometric traditions associated with Byzantine and Sicilian art, using repeated forms and structure rather than literal motifs. The result feels culturally rooted without becoming illustrative.

Can one small place setting carry the memory of several cultures?

Taormina suggests that it can. Sicily’s visual culture has been shaped by centuries of overlapping influences, and the collection translates that richness into a controlled sequence of geometric details. In the 24-piece set, those references are encountered at the intimate scale of the hand.

Why does the pattern become more powerful when it is repeated twenty-four times?

Because repetition creates rhythm. On one piece, the ornament is a detail; across six complete settings, it begins to organise the whole table visually, connecting each guest through the same sequence of geometry.

When does a fork begin to feel like a fragment of architecture?

When its decoration is built from order, repetition and proportion. Taormina treats the surface almost like a miniature façade, compressing architectural rhythm into an object small enough to sit beside the plate and move through the hand.