01 The story

From Sketch to Table

Topos is built around formal clarity and a strong, independent character. Its cool geometry and disciplined proportions reveal a clear Bauhaus influence.

From Sketch to Table
02 The details

The Details

Clear geometry, disciplined proportions and a cool Bauhaus-influenced aesthetic.

Robbe & Berking Topos — 75 Pieces
The taper.
Robbe & Berking Topos Cutlery Set — 75 Pieces - robbe-berking catalogue image 1
The balance point.
Robbe & Berking Topos Cutlery Set — 75 Pieces - robbe-berking catalogue image 2
The finish.
03 From the designer

Heinrich Meldau

Drawn independently, shaped first by hand, and refined until the form could speak for itself.

Heinrich Meldau

Heinrich Meldau at the table
Heinrich Meldau Designer
Product guide

Questions about Robbe & Berking Topos — 75 Pieces

Which three-Michelin-starred chef sets his Berlin table with Topos?

At Rutz in Berlin, Topos accompanies the cuisine of executive chef Marco Müller, who has led the kitchen since 2004 alongside head chef Dennis Quetsch. Rutz has held three Michelin stars since 2020 and builds its menus around exceptional regional ingredients and highly individual compositions. Here, Topos becomes part of a dining experience in which every element — food, wine, room and table — contributes to the evening as a whole.

What does it mean when a restaurant wants to create an entire evening — not just dinner?

At Rutz, the ambition extends beyond the individual plate. The inspirational set menu, celebrated wine programme and elegant yet informal dining room are conceived as parts of one continuous experience. Topos belongs naturally within that approach: the cutlery is not treated as an isolated object, but as one element in the choreography surrounding the guest.

Why might seventy-five pieces matter more as a composition than as a number?

Across a complete table, Topos is experienced through repetition. Knives, forks, spoons and the additional pieces begin to establish a visual framework around the plates rather than appearing as separate objects. The larger setting allows the collection to contribute consistency and rhythm while leaving the food free to provide the drama.

What can cutlery learn from a three-star restaurant that still wants to feel informal?

That precision does not have to become ceremony. Rutz combines extraordinarily ambitious cooking with a dining room described as elegant and informal at the same time. Topos can play a similar role on the table: considered and distinctive, yet quiet enough that the guest never feels the design is demanding attention.

Why can the quietest object on a three-star table still shape the experience?

Because guests interact with cutlery throughout almost every course. It sits at the boundary between hand and plate, returning again and again as the menu progresses. On a table such as Rutz, that makes Topos part of the experience in a particularly intimate way — not as decoration, but as an object through which the cuisine is physically encountered.