Up close, Jardin becomes less about decoration and more about touch. The gently shaped handles, soft transitions and floral details reveal themselves slowly as the pieces are lifted, turned and used. In a 24-piece setting for six, each guest experiences the design at hand level rather than simply as part of the table composition.

Its visual softness continues into the way the pieces are shaped. The curves are not merely ornamental; they guide the silhouette and give the cutlery a more organic character. What first appears as a decorative collection becomes noticeably more tactile once the meal begins.

Jardin comes surprisingly close. When six complete place settings are arranged around a table, the repeated stems and botanical details introduce their own natural rhythm. Flowers may deepen the effect, but the cutlery already brings a quiet suggestion of leaves, growth and cultivated form to the setting.

Because there is less distraction. The 24-piece set focuses on the essential pieces used by each guest, allowing the relationship between knife, fork, spoon and coffee spoon to take centre stage. The collection’s proportions and repeated botanical language become easy to read without the visual complexity of additional serving pieces.

It stops feeling ornamental for ornament’s sake. Jardin’s floral references become part of the daily gestures of eating, serving and clearing the table. That is what gives the collection its lasting appeal: a decorative idea transformed into something functional enough to be lived with.